Solo Exhibition in Amsterdam
Light for the path, Water for the journey has opened at Art Affairs Gallery. Up until November 12.
Group Exhibition in Rotterdam
Under the Spell, Los Angeles artists at Gallerie FrankTaal, September 9 to October 15, 2016.
Four sculptures from the Peter Norton Collection have been donated to the Cornell Fine Arts Museum on the grounds of Rollins College in Winter Park, Florida. The largest is Wormhole, 2003. I'm pleased these works will remain together.
Lynn Aldrich: Uncommon Artist
Please check out the Links page for a new documentary about my art.
Extra-Ordinary Things, Green Art Gallery, Biola University, La Mirada, CA. February 9 - March 8, 2016
Farewell Eden, open now through April 3 in the lovely Sturt Haaga Gallery in Descanso Gardens, 1418 Descanso Drive, La Canada Flintridge, CA 91011. Reception on February 21 from 2 to 4 PM.
Just released, available on Amazon:
Shorb, John, ARTS Journal (Arts in Religious and Theological Studies), An Interview with Lynn Aldrich, vol. 27 no.1, pp. 40-44.
Born in Bryan, Texas. Lives and works in Los Angeles.
BA English Literature, University of North Carolina, Chapel Hill
BA Fine Art, California State University, Northridge
MFA, Art Center College of Design, Pasadena, California
Represented by Edward Cella Art+Architecture, Los Angeles
ONE PERSON EXHIBITIONS
More Light Than Heat, Edward Cella Art+Architecture, Los Angeles
Un/Common Objects, Williamson Gallery, Art Center College of Design (catalog)
Free Refill: Old and New Works, Jenkins Johnson Gallery, New York, NY;
Traveled to VOLTA NY art fair.
VOTIVE, Biola University Art Gallery, La Mirada, CA
Solo Project, Ben Maltz Gallery, Otis College of Art and Design, Los Angeles (catalog)
Aqueous, 9th Street Entry Gallery, Bethel University, St. Paul, MN
All Nature Sings, Carl Berg Gallery, Los Angeles
Aqua Marine, Art Affairs Gallery, Amsterdam, The Netherlands
Light and Space and Dark and Tight, Carl Berg Gallery, Los Angeles
Research and Development, Carl Berg Gallery, Los Angeles (catalog)
A Material World, Irvine Fine Arts Center, Irvine, CA
Sandroni Rey Gallery, Venice, CA
Art Affairs Gallery, Amsterdam, The Netherlands
Think Tank, Fine Art Gallery, Rio Hondo College, Whittier, CA
Cristinerose Gallery, Project Room, New York, NY
Infusoria, LASCA Gallery, Los Angeles
Designer’s Choice, Archer Hall Gallery, Greenville College, Greenville, IL
Visions after the Sermon, Sue Spaid Fine Art, Los Angeles
Flying Lessons, Santa Monica Museum of Art, Santa Monica, CA
Running Out, Sue Spaid Fine Art, Los Angeles
Altarwings:The Birds of America, Art Gallery, Rancho Santiago College, Santa Ana, CA
The Pleasure and the Terror, Fine Arts Gallery, University of California, Irvine
Grid Buster, Fine Art Gallery, Biola University, La Mirada, CA
Krygier Landau Contemporary Art, Santa Monica, CA
Go Big or Go Home, Brand Library Art Gallery, Glendale, CA (upcoming)
Green Revolution, Museum of Art and History, Lancaster, CA (upcoming)
Tactile, Boone Gallery, Pasadena City College, Pasadena (upcoming)
Farewell, Eden: Nature in a Post-Wild World, Sturt Haaga Gallery, Descanso Gardens, Los Angeles
Constructions, Edward Cella Art+Architecture, Los Angeles
Via Negativa, South Bay Contemporary, San Pedro, CA (catalog)
New Acquisitions in Contemporary Art, Westmont Museum of Art, Westmont College, Santa Barbara, CA
Back to Eden: Contemporary Artists Wander the Garden, Museum of Biblical Art, New York, NY (catalog)
6018 Wilshire, Edward Cella Art+Architecture, Los Angeles
In Direct Light, Nan Rae Gallery, Woodbury University, Burbank, CA
Aberrant Abstraction, Coagula Curatorial Gallery, Chinatown, Los Angeles
Invisible Realms: Encountering the Sacred, Westmont Museum of Art, Westmont College, Santa Barbara, CA
Inner Journeys/ Outer Visions, Municipal Art Gallery, Los Angeles
Go Tell It On The Mountain, California African American Museum, Los Angeles
Landscape and Architecture, Irvine Fine Arts Center, Irvine, CA
Death and Life of An Object (three artist exhibition), Edward Cella Art+Architecture, Los Angeles
Triangulation, West Art Gallery, California State University, Northridge
Influential Element: Exploring the Impact of Water, Long Beach Museum of Art, Long Beach, CA
Goldmine: Works from the Collection of Sirje and Michael Gold, University Art Museum, California State University, Long Beach, CA (catalog)
Support System, Phantom Galleries, Long Beach, CA
Dialogue 21, Galerie Califia, Horazdovice, Czech Republic; traveled to The American Center, Prague, Czech Republic
Take This Bread, Gallery C, Hermosa Beach, CA
Layer Cake, Grand Central Art Center, California State University, Fullerton, Santa Ana, CA
Comfortably Numb, Center Blue Lobby, Pacific Design Center, Los Angeles
OBSERVE, Williamson Gallery, Art Center College of Design, Pasadena, CA (catalog)
Twenty Years Ago Today, Japanese American National Museum, Los Angeles
The Brewery Project 1993-2007: Finale, Armory Center for the Arts, Pasadena, CA (catalog)
The Object, Carl Berg Gallery, Los Angeles
Sub-Urbane, Fine Art Gallery, Rio Hondo College, Whittier, CA
Swell, New York Center for Art and Media Studies, New York, NY
The “S” Word: State of Spirituality in Contemporary Art, Judson Studio Gallery, Pasadena, CA; traveled to Fine Art Gallery, Our Lady of Angels Cathedral, Los Angeles
Materialwise Revisited, Domestic Setting, Los Angeles
Raw Materials, Riverside Art Museum, Riverside, CA
The Next Generation, Museum of Biblical Art, New York, NY (catalog)
Take This Bread, Gallery C, Hermosa Beach, CA
Bio-Ballistic, Municipal Art Gallery, Los Angeles
Contemporaries, The Gallery at REDCAT, Walt Disney Concert Hall, Los Angeles (catalog)
Certain Traces: Dialogue Los Angeles/ Prague, Kampa Museum, Prague, Czech Republic (catalog)
LA Post Cool, San Jose Museum of Art, San Jose, CA;
traveled to Ben Maltz Gallery, Otis College of Art and Design, Los Angeles
New Works, New Spaces, Armory Center for the Arts, Pasadena, CA
Tradeshow, Guggenheim Gallery, Chapman University, Orange, CA
Return Engagement, Copia: American Center for Wine, Food and the Arts, Napa, CA 2001
The Permanent Collection:1970 to 2000, Los Angeles County Museum of Art
99 Cents Store Show, Fine Arts Gallery, Cypress College, Cypress, CA
New Work, Sandroni Rey Gallery, Venice, CA
Cross Pollination, Holland Tunnel Gallery, Brooklyn, NY
Liquid Art, Long Beach Museum of Art, Long Beach, CA
Biennale di Firenze dell’Arte Contemporanea, Fortezza da Basso, Florence, Italy
C.O.L.A. 2000, U.C.L.A. Hammer Museum of Art, Los Angeles (catalog)
Summer Show, Paula Cooper Gallery, New York, NY
Made in California, Los Angeles County Museum of Art
Like a Prayer, Tryon Center for Visual Art, Charlotte, NC
In-Visible, Center Art Gallery, Calvin College, Grand Rapids, MI
Ideas in Things, Irvine Fine Arts Center, Irvine, CA
Site Specifics ‘98, The Carriage House, Islip Art Museum, East Islip, NY
My Favorite Femmes, Jan Baum Gallery, Los Angeles
Outlooks, Fine Art Gallery, California State University, Northridge
The Garden Show, Portland Institute of Contemporary Art, Portland, OR
Yard Sale, Special K Projects Exhibitions, Los Angeles
Working Out the Kinks, Kunstlerhaus Bethanien, Berlin, Germany
Blind Date, Fine Art Gallery, Biola University, CA
Simple Means: Contemporary Sculpture from Los Angeles, Montgomery Gallery, Pomona College, Claremont, CA
Open House, Williamson Gallery, Art Center College of Design, Pasadena, CA (catalog) 1995
Postmarked L.A., P.P.O.W. Gallery, New York, NY
Felicity, Jan Baum Gallery, Los Angeles
Intersections: The Personal and the Social in the Permanent Collection, MOCA, Los Angeles
1994 Chasing Angels, Cristinerose Gallery, New York, NY (catalog)
LAX/94, Municipal Art Gallery, Los Angeles (catalog)
Animal Allegories in Contemporary Art, Kohler Arts Center, Sheboygan, WI
Forms of Address, Walter/McBean Gallery, San Francisco Art Institute, San Francisco, CA (catalog)
Pagine Tessili, Biblioteca Rispoli, Comune di Roma, Rome, Italy
The Green Show, The M.Y.T.H. Series at The Bradbury Building, Los Angeles
Detours: Site-Specific Artworks, Side Street Projects, Santa Monica, CA
Interdisciplinary, Art Gallery, Woodbury University, Burbank, CA
Damned: Life, Death and Surface, John Thomas Gallery, Santa Monica
Laughing Matters, Municipal Art Gallery, Los Angeles Altered States: Selections From The Permanent Collection, MOCA, Los Angeles
Serious Beauty, Momentary Contemporary Museum, Los Angeles
A Simple Complex, The M.Y.T.H. Series at The Brewery, Los Angeles
Cherry Bomb!, Southern Exposure, San Francisco, CA
Death and Resurrection of Nature, Laband Art Gallery, Loyola Marymount University, Los Angeles
The Environment: West Coast Statements, Gwenda Jay Gallery, Chicago, IL
FAR Bazaar, Old Federal Reserve Bank Building, Los Angeles
The Day the Earth Stood Still, Cirrus Gallery, Los Angeles
Essentially Raw, Sue Spaid Fine Art, Los Angeles
The Chapman Market Show, Los Angeles, organized by L.A. Place
Projects, funded by the Los Angeles Department of Cultural Affairs
The Bradbury Building Show, Los Angeles, organized by L.A. Place
Projects, funded by the Foundation for Art Resources
Flora, Krygier Landau Contemporary Art, Santa Monica, CA
Center for Contemporary Art, Chicago, IL
GRANTS AND AWARDS
Guggenheim Fellowship Award in Creative Arts
Communication Arts Design Annual Award for the catalog published by Art Center College of Design,Lynn Aldrich: Un/Common Objects
United States Artists Project Award
ARC grant from the Center for Cultural Innovation
Jentel Foundation Visual Artist Residency Award, Banner, Wyoming
CIVA Presidents Award in Sculpture
Third Prize in Sculpture, Biennale Internazionale dell’Arte Contemporanea, Florence, Italy
Liquid Art Award, granted by the Metropolitan Water District of Southern
California for public art with a unique message about water: Blue Line Oasis
J. Paul Getty Trust Fund for the Visual Arts, Individual Artist Fellowship Award
City of Los Angeles Individual Artist Fellowship Award
Art Here and Now, Los Angeles County Museum Of Art Purchase Award
Three Founts, fountain in the plaza at One Colorado, Pasadena, CA
Desert Springs, Sculpture-On-Campus, Pima Community College, Tucson, AZ
Ray, installation in rotunda of Dance and Visual Arts Center, Belhaven University, Jackson, MI
Blue Line Oasis, installation at Artesia Station, Art for Rail Transit
on the Metro Blue Line, Los Angeles
Los Angeles County Museum of Art
Museum of Contemporary Art, Los Angeles
Calder Foundation, New York
Neuberger Berman, Inc., New York
Neiman Marcus, Inc., Dallas, Texas
New York Public Library, New York
Studley, Inc., Irvine, CA
Palomar Westwood Hotel, Westwood, CA
Westmont College Museum of Art, Santa Barbara, CA
Ollman, Leah, Los Angeles Times, Lynn Aldrich Transforms the Physical in Velvet Painting: Ascension, November 6.
Goldner, Liz, ArtScene, Review: Lynn Aldrich, November/ December.
Melrod, George, Art Ltd., Artist Profile: Lynn Aldrich, November/ December.
Will, Rachel, Artsy, Stained Glass and the Expanding Universe Inspire Lynn Aldrich’s New Sculptures, November 4.
Shorb, John, ARTS Journal (Arts in Religious and Theological Studies), Back to Eden: Interview with Jennifer Scanlan, October.
Pagel, David, Los Angeles Times, Reviews: 6018 Wilshire at Edward Cella, November 4.
O’Brien, John David, Artillery, Reviews: Lynn Aldrich, January.
Michno, Christopher, Art Ltd., Lynn Aldrich: Un/Common Objects, January.
Mizota, Sharon, Los Angeles Times, Wonder at the Everyday, December 13.
Calder, Diane, ArtScene, Previews of Exhibitions: Lynn Aldrich, November.
Daichendt, Jim, ArtScene, Death and Life of an Object, March.
Frank, Peter, Huffington Post Arts, Haiku Reviews, April 27.
Knight, Christopher, Los Angeles Times, Art Review: Lynn Aldrich @ One Colorado, August 20.
Chattopadhyay, Collette, Sculpture, Collecting Specimens, March, vol. 29, no. 2, pp.58-64.
Spaid, Sue, ETC Montreal, Green Up!, January, No. 88, p.12-14.
Romaine, James, SEEN Journal, Sacramental Consciousness: A Conversation, vol. IX, no. 2, pp. 6-15.
Ollman, Leah,Los Angeles Times, 3 Solo Projects at Ben Maltz Gallery, May 1.
Edwards, Meghan, Interior Design, The Artist’s Eye, August, vol.80, no.10, p.138.
Prescott,Theodore, IMAGE Journal,Faith, Art, Mystery, Desire and Longing, Winter, no.60.
Von Taube, Annika, SLEEK Magazine, Multiple Chaos, Spring issue, no.18.
Ollmann, Leah, Los Angeles Times, Aldrich is Such a Natural at Fakery, January 18.
Frank, Peter, LA Weekly, Objects of Affection, January 18-24, vol.30, no.9.
Wood, Eve, Artillery, Review: Lynn Aldrich, March, vol. 2, issue 4, p. 51.
Pagel, David, Los Angeles Times, Injecting Life into Ordinary Materials, February 16.
Johnson, Ken, New York Times, Review: New Artists Motivated by Christianity, August 19.
Wood, Eve, Art US, Lynn Aldrich: Carl Berg Gallery, issue 9, July-August, p.4.
Jirousova, Vera, Atelier Journal of Contemporary Art, Dialog Los Angeles - Praha, January 20, no. 2, p.16.
Ruiz, Alma, Carnet Arte, Dossier: Los Angeles, April-May, anno 2, numero 2, pp. 98-99.
Ollmann, Leah, Los Angeles Times, Art Review: The Double Helix, November 2.
Knight, Christopher, Los Angeles Times, Around the Galleries: Reflections on Water, October 31.
Harvey, Doug, L. A. Weekly, Stuff: The Sculptures of Lynn Aldrich, November 7 – 13, p. 35.
Cheng, Scarlet, Los Angeles Times, A Competition That Plumbs Pools of Talent, January 6.
Roosa, Wayne, ARTS Journal (Arts in Religious and Theological Studies), Re-Viewing Ancient Religious Texts, January 14, pp. 11-17.
Paulsen, Sasha, Napa Valley Register, Changeling Art, September 19, p. B1.
Hamburger, Susan, Waterfront Weekly, Artburgher: Cross Pollination, vol.11, no. 7.
Myers, Holly, Los Angeles Times, Art Reviews: Five with Promise, March 30.
Duncan, Michael, Art in America, Reviews: Venice, January, vol. 88, no. 1, p 127.
Campbell, Clayton, Flash Art,Los Angeles C.O.L.A., Summer issue, p. 53.
Newhouse, Kristina, Art / Text, August-October issue, no. 66, p.79.
Zellon, Jody, Dart, Out of House and Home, Summer issue, vol. 2, no. 2, p.27.
Ise, Claudine, Los Angeles Times, Art Reviews : Shifting Perceptions, April 2.
Chattopadhyay, Collette, Artweek, Reviews: Ideas in Things, December.
Greenstein, M.A., World Sculpture News, The Meeting of Disciplines: Lynn Aldrich and Margaret Honda, Summer issue, vol. 4, no. 3, p. 33.
Harrison, Helen A., New York Times, Art Review: The Carriage House, Islip Art Museum, May 24.
Dyrness, William, Image: Journal of Arts and Religion, Whispers in Ordinary Time, no.19, pp. 59-64.
Nolan, Timothy, New Art Examiner, Reviews: California, July-August, p. 47.
Chattopadhyay, Collette, Artweek, Lynn Aldrich at Gallery LASCA, July, vol. 28, no.7, p.25.
Kandel, Susan, Los Angeles Times, Art Reviews: Intriguing Concepts, May 2.
Harris, Paul, St. Louis Post-Dispatch, Cosmos with ‘Baby Names”, March 10.
Iannaccone, Carmine, L. A. Weekly, The Clown and the Contemporary Sculptor, October 4,vol. 18, no. 45, p. 47.
Wilson, William, Los Angeles Times, ‘Means’ Finds New Meanings in Old Schools of Thought, September 7.
Levin, Kim, The Village Voice, The Short List: ‘Postmarked, L.A.’, July 5, front page of Choice section.
Tanner, Marcia, Artweek, Five Artists in Search of an Exhibition, November 3, vol. 25, no. 21, p. 10.
Paine, Janice, Milwaukee Sentinel, Beasts of Burden, November 18.
Muchnic, Suzanne, Artnews, Reviews: Los Angeles, May, vol. 93, no. 5, p. 166.
Darling, Michael, Artweek, Skin Deep, February 3.
DiMichele, David, Artweek, Past Lives, February 3.
Kandel, Susan, Los Angeles Times, Tricking The Eye, January 27.
Artist Statement, Artweek,Fixing the Earth, Part II, September 23, vol.24, no.18.
Berg, Mary Hellen, Los Angeles Times, Environmental Art: Pretty landscapes are fine but there's more to nature, April 9.
Sullivan, Meg, Daily News, Rediscovering the Wonder of the Wild Blue Yonder, April 27.
Welsh, Clarissa, Artweek, Sexual Politics: Cherry Bomb, June 3.
Jarrell, Joe, Visions, Reviews: Los Angeles, Fall issue.
Jarrell, Joe, Sculpture, Reviews: California, September-October, vol. 11, no. 5, p. 74.
Jones, Amelia, Artforum, Los Angeles Review: Running Out, Summer issue, vol. 30, no. 10, p.115.
Schwendenwien, Jude, Sculpture, Cravings: Food into Sculpture, November-December.
Kandel, Susan, Arts Magazine, L.A. in Review: Essentially Raw, November.
Curtis, Cathy, Los Angeles Times, Lynn Aldrich's Winging Streak, September 24.
Pagel, David, Los Angeles Times, Ephemerality is Essential in 'Raw' Exhibit, August 8.
Frank, Peter, L.A. Weekly, Art Pick of the Week, March 8-14, vol. 13, no. 14.
Spaid, Susan, Visions, Flora at Krygier Landau, Fall issue, no. 13.
McKenna, Kristine, Los Angeles Times, Flora: An Ecology-Oriented Exhibition that Grows on You, June 26
Curtis, Cathy, Los Angeles Times, January 15.
Hirsh, Jeffrey, L.A. Style, Work in Progress, June.
PUBLICATIONS AND DOCUMENTATIONS
The Joan Quinn Profiles, interview on Public Access Television, West Hollywood, CA
Via Negativa: The Transcendence of the UnReal, exhibition catalog, pp. 155-158
Ecclesiastes Medley, liturgical reading by Lynn Aldrich, Rothko Chapel, Houston, TX
History of Art: Creation to Contemporary, Veritas Press, Lancaster, PA, p.220
Back to Eden: Contemporary Artists Wander the Garden, exhibition catalog
Lynn Aldrich: Un/Common Objects, exhibition catalog
3 SOLO Projects, exhibition catalog
At the Brewery Project: Finale, exhibition catalog, p. 14
Pasadena Weekly, Art Through a Wormhole, cover image, October 9
SEEN Journal, The Universe in a Peacock’s Tail, essay by Lynn Aldrich, vol. VIII, no.1, p.2
Creative Spirit: Journal of the Arts and Faith, Objects of Desire, book review by Lynn Aldrich, vol. IV, no.3, pp.50-52
The S Word: State of Spirituality in Contemporary Art, exhibition catalog
The Next Generation, exhibition catalog, p.168
Creative Spirit: Journal of the Arts and Faith, Enthralled with Being in the World, interview by Melissa Hause, vol. IV, no. 1, pp. 26-31
Contemporaries, exhibition catalog, p.62
Dialogue: Los Angeles/ Prague 2004, exhibition catalog
Research and Development, exhibition catalog
Book of Lies, Volume III, published by Eugenia Butler, Los Angeles, containing Dying Star, an edition of 80 unique, serial objects by Lynn Aldrich
Road Trip with Huell Howser (video interview), September 15, KCET, Los Angeles
Aqueduct Magazine,, A Celebration of Water in Public Places, published by Metropolitan Water District of Southern California, Fall-Winter, vol.67, no.3, p.36
Like a Prayer, exhibition catalog, p.14
Visual Faith, William Dyrness, Baker Book House Company, Grand Rapids, Michigan, pp. 122,124-25,135-37
Beholding the Glory: Incarnation Through the Arts, edited by Jeremy Begbie, Dean of Theology, Cambridge University, published by Darton, Longman and Todd, London, What’s the Matter with Matter?, essay by Lynn Aldrich
COLA 2000, exhibition catalog, p. 20
Image: Journal of Arts and Religion, Artist of the Month, October, website at www.imagejournal.org
Ideas in Things, exhibition catalog, p. 4
Northridge Magazine, California State University, Northridge, Startling Juxtapositions, Spring issue, vol. IV, no.2, p.12
Site Specifics,‘98, exhibition catalog
Frame-Work: Journal of Images and Culture, vol. 7, issue 1 (Home), published by Los Angeles Center for Photographic Studies, Hollywood, CA, Silver Anniversary Photo of My Wedding Gifts, photo and text contribution by Lynn Aldrich
Lynn Aldrich at the Santa Monica Museum, video by Phyllis Baldino, first screening at Los Angeles Center for Photographic Studies, Hollywood, CA
THE Magazine of the Arts, Santa Fe, New Mexico, Grid Buster (image of installation), February, vol. V, no. 8, p. 4
LAX/94: The Los Angeles Exhibition, catalog, p. 88
Open House, exhibition catalog, p. 20
Simple Means, exhibition catalog, p. 8
Womenhouse, artist contributor, www.cmp.ucr.edu/womenhouse, website funded by Graham Foundation for Advanced Studies in the Fine Arts.
Forms of Address, exhibition catalog, p.9
Chasing Angels, exhibition catalog, p. 32
Adjunct Professor (MFA Program), Azusa Pacific University, Azusa, CA
Visiting Faculty (Sculpture), University of California, Los Angeles
Visiting Adjunct Professor (Fine Arts Studio), Mars Hill Graduate School, Seattle, Washington
Member of the Faculty (Fine Arts), Art Center College of Design, Pasadena
Municipal Art Gallery, Los Angeles, Artists Advisory Committee
Senior Class Mentor (Fine Arts), Otis College of Art and Design, Los Angeles
L.A. Place Projects, Founding Board Member (artist-run organization placing art in alternative locations)
Adjunct Professor (Sculpture), Biola University, La Mirada, CA
LECTURES, ARTIST TALKS, AND PANELS
Azusa Pacific University, Azusa, CA, Guest Artist Lecture
Eastside International Gallery, Los Angeles, What’s Love Got to Do with It: The Artist’s Secret Longing to Bless the World, artist presenter and moderator
Club Nokia, Los Angeles, Making and Viewing the Art of Our Time, Q Conference, artist speaker
Municipal Art Gallery, Los Angeles, Spirituality and Contemporary Art, artist panelist
Architecture and Design Museum, Los Angeles, public art discussion with Scarlet Cheng as moderator, artist panalist
Edward Cella Art+Architecture, Los Angeles, in Conversation: Lynn Aldrich and Laurie Frick
Fuller Theological Seminary, Pasadena, CA, The Art of Prophecy, the Prophecy of Art, artist panelist
Neiman Marcus restaurant, Newport Beach, CA, Ahmanson Art Salon, artist speaker
Biola University, La Mirada, CA, CIVA Conference: Art and Belief in a Digital Age, artist speaker
Biola University, Metropolis: How Art in the City Influences Belief and Action, Symposium Keynote Speaker
Director’s Guild of America, Los Angeles, City of the Angels Film Festival, artist panelist
St. John’s College, Santa Fe, NM, Image Journal Conference: Fully Human: Art and the Religious Sense, sculpture workshop instructor and artist speaker
Cornell University, Ithaca, NY, Escape from the No-Transcendence Zone or Why Mystery Won’t Go Away, Sage Chapel speaker, MFA studio visits
Claremont Graduate School, Claremont, CA, Graduate Seminar
Our Lady of the Angels Cathedral, Los Angeles, The S-Word: State of Spirituality in Contemporary Art, artist panelist
Azusa Pacific University, Azusa, CA, Graduate Seminar
Azusa Pacific University, CIVA Conference: Embracing the Gift: Twenty-five Years of Faith and Vision, artist speaker
California State University, Los Angeles, Graduate Seminar
Los Angeles County Arboretum, Arcadia, CA, Botanical Painting (On the Wild Side), painting workshop instructor
First Lutheran Church, Venice, CA, Renaissance Service Series, Cornucopia:The Extravagance of God, artist speaker
University of Dallas, Dallas,Texas, CIVA Conference: Negotiating Troubled Water: Art in an Age of Conceptual Iconoclasm, artist speaker
Tryon Center for Visual Art, Charlotte, North Carolina, Symposium on Art and Religion, artist speaker
UCLA Hammer Museum of Art, Los Angeles, sculpture workshop instructor
Fuller Theological Seminary, Pasadena, CA, Spring Festival of the Arts, Just Do It: Producing and Participating in the Culture of Our Time, artist speaker
Art Center College of Design, Pasadena, Graduate Seminar
Fullerton College, Fullerton, CA, Looking at the Blind Spot with Eugenia Butler as moderator, artist panelist
Loyola Marymount University, Los Angeles, Lilly Fellows Seminars for College Teachers, Sacred Journeys: Explorations in 20th Century Art and Faith, artist speaker
U.C.L.A. Hammer Museum of Art, Los Angeles, in conjunction with Angels from the Vatican exhibition, Christian Metaphor in Contemporary Art, artist speaker
Greenville College, Greenville, Illinois, Schoenhals Fine Arts Symposium, artist speaker
Washington University, St. Louis, Missouri, Graduate Seminar
Otis College of Art and Design, Los Angeles, Graduate Seminar
California State University, Los Angeles, Graduate Seminar
Barnsdall Art Park Theater, Los Angeles, Foundation for Art Resources Lecture Series, Artist Production of Site-Specific Works in Public Places, artist panelist
College of Creative Studies, University of California, Santa Barbara, Artist Lecture Series