Alluding to conservation of our environment, these works address the vast realms of sky and sea. From the flights of birds to the growth of corals, the lift-off of wings to the flow of ocean currents, viewers are invited to consider the wonder and fragility of life in these spaces.

DOUBLE TAKE is an exhibition that explores the aesthetic and conceptual intersections in the work of two artists by comparing and contrasting practices through specific bodies of work.

A sculpture from the Water Feature Series, titled Water Tangle has been donated to Biola University from the Ahmanson Family Collection. Now installed in front of their new Art and Media Building and dedicated in 2021, La Mirada, CA.

A work by Aldrich, titled Losing My Lagoon, from the Coral Reef Series, is included in the 10 Year Anniversary Exhibition of Frank Taal Gallery in Rotterdam, NL.

For this exhibition of outdoor metal works, I've constructed a new wall piece from galvanized steel downspouts, titled Aquaduct, 2020.

In Quest of Beauty: Assemblage in the Ahmanson Collection is up until June 15, 2019. The exhibition includes this sculpture, The Universe in Captivity, 2015, made from velvet, tulle, painted canvas, craft puff balls, mirror, and brass cages.

During Lent, 2019, artists place works at fifteen locations in Amsterdam for Art Stations of the Cross: Troubled Waters, curated by ArtWay, EU.
This sculpture, Ocean Eden, 2008, is made from sponges, brushes, and other aquatic cleaning aids. It is Station 4 at Keizersgrachtkerk, a Protestant church built in 1888, facing a beautiful canal.

Hydra Hydrant, 2010, made from plastic downspouts, has been acquired by the Museum of Contemporary Art, Los Angeles.

Biophilia, 2007, made from sponges, brushes, and other aquatic cleaning aids, has been acquired by the Portland Art Museum, Portland, OR.

Welcome to the Dollhouse, an exhibition curated by Rebecca Matalon, addresses notions of domesticity. It features Subdivision,1991, an Aldrich sculpture from the Permanent Collection, made with white picket fence. Up until April 8, 2018.

Beall Center for Art and Technology hosts an exhibition about birds titled It Passes Like a Thought, up until May 26, 2018. Included is the large Aldrich installation, Flying Lessons: The Birds of America, created in 1993 for the Santa Monica Museum of Art, Santa Monica, CA.

This exhibition includes four Aldrich works from the collection, up through February 28, 2018.

This exhibition includes two Aldrich works -- Sprinkler, 2017, a sculpture made from garden hoses and Velvet Painting: Faking Day Breaking, 2016, a wall construction made from cut velvet. Up through October 14, 2017.

Under the Spell, a show of Los Angeles artists at Gallerie Frank Taal, is up until October 15, 2016. It includes a wall construction by Aldrich, Losing My Lagoon, 2014, made from sponges, brushes, and other aquatic cleaning aids.

Four Aldrich sculptures from the Peter Norton Collection have been donated to the Cornell Fine Arts Museum, Winter Park, FL. The largest is Wormhole, 2003, made from Sonotubes in decreasing diameters, lined with fake fur.